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Music: Indian Music - Hindustani

ISC Class 12 · 22 chapters · 2026-27 syllabus

We cover the theory part of this subject. Practicals happen at school.

Start this course0 of 22 chapters mastered

Up next1. Naad and the Types of Raga

Chapters 22

Parts 1 and 2: Common theory (Vocal and Instrumental)9 chapters

  1. Chapter 1: Naad and the Types of RagaNot started4 topics
  2. Chapter 2: The Two Systems of Indian Classical MusicNot started3 topics
  3. Chapter 3: Shrutis and the Thaats of BhatkhandeNot started4 topics
  4. Chapter 4: Vadi Swar, Time Theory and LayaNot started3 topics
  5. Chapter 5: Ragas of Class XII: Bihag, Bageshwari, Kafi, Bhairavi, MalkaunsNot started6 topics
  6. Chapter 6: Raga Identification and ComparisonNot started3 topics
  7. Chapter 7: Taal Notation: Dhamar, Ektaal, Roopak and ChaartaalNot started5 topics
  8. Chapter 8: Classification of Indian Musical InstrumentsNot started3 topics
  9. Chapter 9: Eminent Musicians and Topics of General InterestNot started3 topics

Part 1: Vocal Music4 chapters

  1. Chapter 10: Vocal Forms: Dhrupad and DhamarNot started3 topics
  2. Chapter 11: Vocal Ornamentation and ElaborationNot started3 topics
  3. Chapter 12: Notation of Bandish: Chhota Khayal and Bada KhayalNot started3 topics
  4. Chapter 13: The TanpuraNot started3 topics

Part 2: Instrumental Music4 chapters

  1. Chapter 14: Instrumental Forms: Maseetkhani and Razakhani GatNot started3 topics
  2. Chapter 15: Instrumental Techniques and ElaborationNot started3 topics
  3. Chapter 16: Notation of Gat: Maseetkhani and RazakhaniNot started3 topics
  4. Chapter 17: Knowledge of One's InstrumentNot started3 topics

Part 3: Instrumental Music - Percussion (Tabla)5 chapters

  1. Chapter 18: The Tabla and the Classification of InstrumentsNot started4 topics
  2. Chapter 19: Five Pranas of Taal: Grah, Jaati, Yati, Prastar, LayaNot started4 topics
  3. Chapter 20: Tabla Compositions and TermsNot started5 topics
  4. Chapter 21: Taals for Tabla: Notation in Four LayakarisNot started3 topics
  5. Chapter 22: Solo and Accompaniment; Eminent Tabla PlayersNot started5 topics

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